Friday, October 29, 2010
Sunset Blvd
I'm drawn to sunset photos like a moth to a flame. I try hard but rarely get good results. These are two of my best attempts recently. Budget Travel published this article about how to take better sunset photos. Give it a shot (ha) this weekend and let me know how it goes for you. - l.o.d.
Thursday, October 28, 2010
Apple a Day
| Design*Sponge |
Wednesday, October 27, 2010
Room 137c
| Pantone Hotel: Brussels, Belgium |
Tuesday, October 26, 2010
Are we in Kansas?
Monday, October 25, 2010
Art & Design
To my delight, Beili Liu has done well since those days years ago. She recently won third place in Grand Rapid's publicly-juried ArtPrize contest for her work titled "Lure/Wave, Grand Rapids". From the picture I immediately I knew it was her artistry. Look at the intricate hand-woven poppies, the strings, the play on depth and the cast shadows. Beautiful. What an honor to have worked with her. - l.o.d.
| Artist Beili Liu at Artprize |
Thursday, October 21, 2010
Cozy
There are some great textures that come with heading into winter. So bring out your favorite fleecy blanket and fuzzy slippers. And those knit sweaters that range from fashion to function. And finally there's an excuse to wear hats. I found these lovely items for an illustration of the beauty of coziness. Doesn't the bathroom want to make you curl up in a warm bath? Winter's not gonna be so bad after all. - l.o.d.
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| Anthropologie |
| KnitStorm on Etsy |
| Shanineal on Etsy |
Wednesday, October 20, 2010
Natural light
And since it's day 3 of "texture week", a few words on the materials. I love the stitched tree with its smooth, earthy wooden base. It makes me want to reach out and trace my fingers along the lines of the tree leaves. The bamboo wrap is a perfect Asian-inspired complement to the adorable monkey base, and who can resist a monkey. The twiggy lamp would be surprisingly terrific in a modern euro style room. I'm off to buy a 3-pack of CFLs. - l.o.d.
Tuesday, October 19, 2010
Hard vs. Soft
Visual clues about objects carry so much meaning; the tactile senses of fibers, visual patterns on flat planes and dimensional depth of multi-media sculpture. But it comes down to one basic decision; hard versus soft. This decision helped our ancient ancestors know what materials to use in different situations; like rock for pounding and furs for clothing. Luckily we are cavemen no longer, most of what we need to know is stamped and labeled or culturally normalized. (Except that Lady Gaga will surely make a costume of rocks at some point, I'm sure.) There is a beauty in what we instinctively know about a surface. For instance, this silk scarf ripples and folds, casting shadows on itself and shimmering in the light. How do you know that it's soft? I see the patterns of light as the first clue telling me that there's no grid, no rhythm to its structure, then the curve of the fold indicating there's volume without an edge. Compare this to the metal frame which also shines, but whose base is flat and whose edge is thin and crisp. No ripples here. Nor in the blue tile, whose precisely-lined pattern sets into relief and implies depth with an interesting matte surface that absorbs color. Three simple objects, one decision; hard or soft. Take a look around today and really question; how do you know that it's hard or soft? - l.o.d.
Monday, October 18, 2010
Daily Texture
Do you find it hard to see texture in the everyday? I confess, I do. Although there is a lot around to enjoy, it seems so common, so normal, as to not be explored further. After all, it's just a shoe on a part of industrial carpet after all. But today, I saw more. I saw shimmer, bubbles like champagne, and actual pink fiber in my office's carpet. Pink! No more is texture a undersung element of style. Get ready for texture week! - l.o.d.
Saturday, October 16, 2010
Shadow
Friday, October 15, 2010
Punctuation Attack!
Thursday, October 14, 2010
Water colors
The first night of class I realized that I'm extremely rusty. The second class things started to click again. I promise to show my own work in future posts because today, I wanted to show this small detail of a painting by Paul, also taking the class with me. I especially love three things about this work; the negative space of white to make the details pop, the complementary color usage of orange and blue - both working to make each other more vivid and the feathery details of wet-on-wet and salt techniques. What do you guess is the subject of this painting? A butterfly. Thanks Paul! - l.o.d.

Wednesday, October 13, 2010
Purple
This post concludes my color in nature series and I hope you've enjoyed the boundless artistic inspiration that nature provides as much as I have. I have always had such a profound respect for the earth's fearless design and color palate. Going through this past week has made me think about what I see around me in a new, contextualized way. Picking examples each day has made me uber-aware of the autumn season and the rarity (or propensity) of certain colors. This is the time of year to celebrate the immortal words of Robert Frost:
Tuesday, October 12, 2010
Blue

Monday, October 11, 2010
Green
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| Maya Lin, Wave Field |
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| Andy Goldsworthy, Storm King Wall |
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| Great Serpent Mound, Ohio |
Saturday, October 9, 2010
Yellow
Yellow. A brilliant statement from the sun, a smile of happiness, a bulb of caution. I admit that yellow is not a color that I'm usually drawn to by itself. It is the color that appears least in my closet and it's the color I go to least often in my graphic design. Perhaps it's because too often it has no depth for me, no underlying notes of complexity. I love it as a complement to other colors; blue and maize for my school, black and yellow for a honeybee, green and gold for nature. I've worked to find shades that appeal to me but they're often tinged with green or orange and therefore not entirely yellow, like this changing tree. But even so, I do appreciate the golden glory of such a beautiful sight. - l.o.d.Friday, October 8, 2010
Orange
Color is a very powerful tool to inject emotion into our surroundings. Orange can be cool and subdued or hot and fiery. Less aggressive than red, it stirs a warmth of emotions, sort of like comfort food for the soul, as in a firey sunset. A perfect complement to sky and water blue, the Golden Gate bridge shimmers and can be seen for miles. And what better to complement the cool, grey winter than bright, summery orange flags in Central Park. What's your favorite Orange? - l.o.d.
P.S. Here's mine!
Thursday, October 7, 2010
Red
Wednesday, October 6, 2010
Catalog
I love it when I get an Anthropologie catalog in the mail. The photography is so lush, inspiring and on trend. Of course the clothes are delightfully unaffordable but a girl can look, right? Tonight I couldn't help myself, my sharpie came out and I drew some doodles to play creative director. It's the only retailer that overcomes me like this. I've used their catalogs for painting scenes, sketches, color palates and textile ideas. I still can't believe they don't charge for a mailer. Perhaps it explains their markup. What catalog inspires you? - l.o.d.






















